Untitled, 1996 - 2000
        
        
            The struggle between negative emotions and feelings like loneliness, anger, desperation...
            and the desire for creativity can always become an endless source of strength.
        
    
    
    
 
    
        
            Dialogue, 1998
        
        
            These are dialogues between three young artists with big difference in upbringings, personalities
            and choices but having same desire to be a great artist.
        
    
    
    
 
    
        
            Inhale-Exhale, 1998
        
        
            In the struggle of survival, the dangers as well as pain and loneliness seems natural
            as inhale and exhale.
            The imprints left would be beautiful as your favorite tattoo art.
        
    
    
    
 
    
        
            Beach Eggs, 2000
        
         Site-specific interactive installation and performance
        
            The white balloons filled with one’s breath then haft-buried in the sand are the metaphor for
            the desire to speak-out the truth.
        
    
    
    
 
    
        
            God Creates Elephant - God Creates Grass, 2000
        
         Site-specific installation at Nha San Art Center, Hanoi 
        
            Boiled grass was served on traditional family meal tray for those who uses such proverb as an
            excuse for their ignorance attitude towards reality of poverty and illiteracy.
        
    
    
    
 
    
        
            Square Eggs, 2001
        
         Site-specific installation at Goethe Institute, Hanoi, Vietnam 
        
        
            It’s a myth to produce square eggs for saving transportation cost. It takes a lot of effort to
            forcefully form the fragile and delicate pancakes into a raw of cubes. The same can be said
            about the culture of making achievement in the education system, regardless the important of
            the foster of values and uniqueness.
        
    
    
    
 
    
        
            Under the Cover, 2001
        
         Site-specific video installation at Goethe Institute, Hanoi, Vietnam 
        
        
            There are layers of meanings and references in the work. Endlessly rotating human head offers
            variety of angles to look at a person. Calligraphy represents the high in Chinese culture.
            “Muống” vegetable is everyday food for the poor in Vietnam. All aspects of the imitations or
            interpretations must be totally digest to be considered as its own values. The authenticity can
            only find under the covers.
        
    
    
    
 
    
        
            Best Regards and Be Resolved to Win, 2002                                
        
        
            Fast changing in Vietnam’s economy and society in the 1990s brought new energy, complexity
            and chaos. People hassled with enthusiasm compensating for the wasted time.
            They were moving, searching, tumbling, rushing and slippering in such new and contrary
            contexts, whether it was alien, traditional, historical or contemporary.